Category Archives: Culture

MCM London Comic Con — The view from the inside

This past weekend, I had a unique opportunity for my life and my career: to cover the MCM London Comic Con — the largest event in comics, games, and entertainment in the United Kingdom. What follows is a short account of my experience with this imposing event, so crowded with people, so full of life and so full of novelties.

Getting there
Let’s start with the basics: I had a long ride ahead to reach the ExCel Convention Center — as I live in Swansea, a five-hour bus ride away from London. However, arriving in London presents another challenge: the journey from Victoria Coach Station to the ExCeL Centre – one hour and three tube journeys in a city I know very little about. The trick? As any convention goer knows — follow the cosplayers.

Despite having read much about it, I was still unprepared: the MCM London Comic Con is simply immense. Occupying more than half of the giant ExCel Convention Centre near the Thames, about 120 000 people visited the convention during the three days of the event – I was around for the first two..

The event itself
In simple terms, the reactions on arrival on Friday – a day of less activity, partly due to working hours – was of jaws dropping. A diverse crowd that ranged from families with small children — some hoping to meet Daniel Radcliffe, there to promote his new movie, Horns — to bearded fellows wearing fantasy gaming T-shirts. Passing by amateur and “professional” cosplayers, nerds of all kinds and even some old ladies (one I saw again on Saturday with a bag overflowing with memorabilia from Marvel – whether for herself or as a gift, one can only wonder+.

Here I have to separate between two things: Comic Con as a convention and in terms of its feel. As a convention, it’s a dream: a cluster of nerds and fans of all kinds, celebrities from the A to the C lists (those actors and illustrators who are only known by fans of * insert thing here * – people like Robert Llewellyn and Hattie Hayridge, from the excellent Red Dwarf series, colorist John Paul Bove – Judge Dredd and Tranformers ReGeneration One, and the eternal Tara from Buffy the Vampire Slayer, Amber Benson). An insane amount of sellers of all kinds of geeky junk, autograph sessions, panels with staff and crew from series and movies…it’s a dream, in a nutshell. Even despite all the practical problems.

This is even before you get to the chance to play games before they come out on the market and equally amazing, the chance to find products that have long been off the market, as in “too cheap to be on ebay”. Conventions, as we know, are the nerd paradise – and this is not any different.

However, the practical problems are many and at some points are really troublesome. As I said, there are about 120 000 people in just three days; overcrowding is a guarantee, either within the convention, or around it. Some of the booth shops were almost impossible to see, given the throng of people around you – and if you managed to stop  to take a look, you were guaranteed to be bumped into. At the end of the second day, all the ATMs inside the ExCel Convention Center and several around it were penniless. I only managed to follow one whole panel – that of Daniel Radcliffe – as all the others I tried to go to were either crowded or with huge queues.

Stranded in London
At the end of the first day, not to run the risk of missing my bus back to Swansea, I missed the panel of the original cast of Mighty Morphin ‘Power Rangers – despite having a guaranteed seat as part of the press. A big mistake it turns out – as despite leaving early, thanks to the delayed ExCeL DLR I arrived at Victoria Coach Station ten minutes after my bus – the last bus.

This then provoked another memorable experience: getting lost in London without having anywhere to go (until a colleague of mine offered me a place) – I found it an immense city, always busy. Crowded streets and tube stations, especially on a Friday night. I encountered the strangeness of a full bar on a Friday closing at 10pm but eagerly grabbed the chance to cover the second day.

Day 2

If the first day was an amazing experience, the second was twice as good. The popularity of the saturday – even in the early morning at 9am – made ​​Friday seem monotonous. Passing through four lines of public transportation to get there, the last two – two DLR lines – were fully packed with people going to the convention. Imagine sitting in a crowded train full of cosplayers – to the point of being difficult to move without bumping into someone – and this is a vague picture of the experience; however to know the feeling you needed to be there.

I had the chance to meet some actors and artists in person. The afore mentioned Robert Llewellyn and Hattie Hayridge (Holly and Kryten from Red Dwarf) were flattered with “the first Brazilian fan” they’ve met. Jack O’Halloran (Non from the Superman II) decided not to grant an interview. Ian McNiece (who played Winston Churchill in Doctor Who and the Baron Vladimir Harkonnen in Dune miniseries) gave me a brief interview about his many roles. I faced some huge queues to try to talk with some top celebrities (like Japanese director Shinichiro Watanabe, actress Amber Benson, the staff from the gaming site Rooster Teeth and the original cast of Mighty Morphin ‘Power Rangers) – without much success. Maybe I should have “pushed my luck” with the press pass.

I saw bits of panels, tested a few games before launch (three of which I will speak about in another article – one that I found great, one “average but fun”, and one that made me angry). I saw the beautiful Square Enix Play Arts Kai line stand with brand new figures (some exclusive to the Con). All the while Professional cosplayers from Star Wars (including one perfect Chewbacca, and a Tusken Raider who roamed the con halls “threatening people”) circulated throughout the convention centre.

Offers, statements and releases
However, the best of a con is never what is being offered by the event itself – but what businesses and shops have to offer. Gaming companies demonstrating new titles, raffling DLCs, games and even gaming consoles. Toy companies showing old and new products. Specialty shops selling from Star Trek Tribbles to giant Gundam model kits that led me to ask how they even got the boxes in. All types of comics. Shirts, caps, gloves and thematic hoodies. Oriental food (because it is inevitable that a nerd event be overtaken by otaku). Antiques and rarities of all kinds – and at extremely friendly prices. Among others, I saw two copies of the set of Trench Bluster & Mech Ideas – a set that only 500 copies were produced. Whatever it is you’re after, this kind of event is a great place to get it – especially if it is large.

Pedro will be bringing us more from the event throughout the week…


Words by Pedro Leal

Image Credit: The london vandal


Just how seriously should we take #Gamergate?




It started with a jilted lover and a vengeful post. It then spun off into what is arguably a rabid hate group against what they perceive as ideological corruption. Since its inception in August, #Gamergate has led to at least three women leaving their homes in face of death threats over Twitter, Intel pulling their ads from gaming website Gamasutra, and a shooting threat at Utah State University. Gamergaters claim to be ethical crusaders; their opponents say they are at best trolls, at worse digital terrorists.

I’ve stared into the abyss – the endless feed of #Gamergate and #StopGamerGate2014 tagged posts, online imageboard 8chan and gaming forums, in an attempt to find what is the common thread in this movement. And what, in fact, is #Gamergate.

A confused and angry bunch

If it can be said that #Gamergate has a “base”, it is internet message board 8chan (a.k.a. “hatechan,” as 8chan users themselves call it), which came to be after the far better known imageboard 4chan started curtailing doxxing (the public release of personal documents to facilitate harassment) attempts – mostly focused on female game producers, critics and journalists. In itself, 8chan is contradictory: they claim to be a free-speech site, yet use their speech in attempts to censor so-called “Social Justice Warriors” – feminists, LGBT activists, anti racism activists, etc; its users claim they are not misogynists, yet the site contain numerous boards dedicated to harassing women, and to “destroy feminism”.

8chan is central to much of the #Gamergate movement; users are referred to as “Leaders of gamergate”, its largest board is “/gg/” – dedicated solely to #Gamergate – and may users see it as their safe haven against “political correctness”. Their worst fear is the end of gaming as they know it due to pandering to “feminazis” and the creation of a Comics Code Authority-style censorship board. Some of them seem sincere enough in their claims against “corruption in gaming journalism” – the problem is what they perceive as corruption.

A recent example of thier incongruity came after the release of Bayonetta 2. In response to the website Polygon’s less-than-stellar review of the Wii U title, which noted issues regarding objectification and over sexualization of women as problematic, #Gamergate started a campaign to get the gaming website blacklisted by Nintendo. In a way, their notion of corruption is “discourse I don’t agree with” – while ethics mean cronyism, as Polygon ought to be punished for the “crime” of not giving a perfect score to an AAA game (a large budget, mainstream title). Meanwhile, older and well known cases of actual corruption in gaming media – such as the firing of Jeffrey Gertsmann over his negative review of “Kane&Lynch” in 2007, which suggested a cosy relationship between news outlets and gaming companies – are ignored in the name of those perceived cases of ideological corruption. In fact, one of their main gripes is with the criteria set for game reviews. In short terms, they want “objective, unopinionated and impartial reviews” – a complete oxymoron. Another point of major contention is the alleged collusion of journalists with feminists and minorities to “fix the system” and “force their political agenda” onto the game market. . 

“A hate group”

The targets of gamergaters harassment are well known by now: Game developer Zoe Quinn, feminist critic Anita Sarkeesian, who’s been on their radar for the past two years, and game developer Brianna Wu. The movement started with the harassment of Zoe Quinn over her alleged sexual misconduct.

Quinn had already faced harassment earlier this year, when her award-winning game Depression Quest became the target of a harassment campaign led by “wizardchan” – an online imageboard frequented by male virgins who blame “society” and “feminism” for their inability to have a relationships, who claimed Zoe was exploiting depression and mocking their pain. Then, in August, her ex-boyfriend Eron Gjoni came out with “thezoepost”. In this 9000 words blogpost, Gjoni claims Quinn cheated on him with five people connected to the gaming industry and the gaming press, to “ascend in her career”. One such partner supposedly was gaming journalist Nathan Grayson – whom according to Gjoni, she slept with to get favorable reviews of Depression Quest. The fact that Grayson never reviewed Depression Quest nor ever wrote about the game was seen by most gamergaters as irrelevant.

While maintaining their main concern was about ethics, gamergaters have discussed, judged, and condemned Quinn’s sex life, genitalia and behaviour. All three were forced to leave their homes over concerns for their own safety.

As a whole, the movement alternates between denying responsibility for the threats and harassment, denying the latters’ existence, or even claiming the victims themselves created the threats. While recently condeming doxxing on twitter, 8chan has at the same time being used to expose the id and home address of those women who #Gamergate perceive as enemies.

Other women have been caught in this debacle, too. Social researcher Jennifer Allaway was targeted by what she calls a “hate group” in late September. While conducting a study on the importance of diversity in game content, she was targeted by gamergaters with attacks and insults. “If members of gamergate took my study seriously, I would have welcomed them. The fact that they used my own study to mock the purpose of it and harass me shows that, to them, anything or anyone asking questions about diversity deserves mockery,” she said.

The whole environment has become “exhausting”, Allaway noted: “I have multiple friends in the game industry who have faced far worse harassment than I, and seeing what they go through makes me want to speak out more. The worst is seeing your friends leave. Women have worked so hard to make the industry a safe space for themselves, and now that feels threatened.” Among those who have quit due to the harassment, is award winning journalist Jenn Frank, who abandoned gaming journalism after being repeatedly threatened, insulted, and having her personal info posted online following an article she wrote for The Guardian regarding the harassment faced by Zoe Quinn and Anita Sarkeesian.

More than a vocal minority

The persistence of threats and harassment brings into question whether the angry and hateful side of the movement is simply a minority. Game developer Molly Carroll has doubts on how “minor” is the hatred in #Gamergate. While she notes that the official cause of #Gamergate is indeed worthy, as gaming journalism is in need of refinement, she is skeptical of whether people are truly in it for that cause. As she notes, the hatemongers have gained prevalence over whatever rational segment there ever was: “Sadly, one cannot deny that the actions of the anti-women portion of Gamergate have outnumbered and gained attention over that of any other,” she says.

Due to the way things progressed and escalated, as the focus increasingly shifted from claims about “ethics” to the position of women in gaming, #Gamergate was joined by women-haters and neo-nazis, who used it as an outlet for their hatred: “It isn’t even about games any more, its just an outlet for these kinds of people [to act] without consequence,” Carroll claimed.

#Gamergate in itself, in her perception, has accomplished nothing. At least, not anything the movement aimed for. “I suppose the situation has offered food for thought, but an actual tangible effect? No. At least not yet, and I highly doubt anything will come from it,” she said. If anything came out of this, is that the treatment of women is gaining more attention and sympathy than ever before. However, as Allaway noted, one must not keep silent over #Gamergate: “Silence is acceptance. If we are silent against the actions of #gamergate, then we are saying that we consent to the threats and harassment to our community. They have the ability to impact our culture if we do not put a stop to them.”

A “Culture War”

Some gamergaters themselves are no longer defining their “war” as one against corruption in gaming journalism, but as a “culture war” to keep gaming culture unaltered, to curtail any attempts at moving it towards a more inclusive environment, and to end critique of it – all the while maintaining they are the ones being oppressed. A recent post on 8chan read:

“Gamergate is about drawing a line in the sand and stating that ‘We will give up X freedoms to make you comfortable, but that is all we will ever give you.’ Freminists [sic] are demanding games be more inclusive for women. Black action groups are demanding games have more black protagonists. Gays are demanding more gay characters, and Trans are demanding trans characters.

The point of gamer gate is us stating that we have a culture independant [sic] of other cultures. That we will maintain our culture despite newcomers asking for more and more stipulations and changes to it. They have taken our right to speak freely in public. They have taken our right to debate freely in acadamia [sic]. They have taken our right to pubic [sic] expression and art. We are drawing the line at the edge of the internet and any one who tries to further force us to concede our freedom of expression will face us there.”

This kind of claim is nothing new: it harkens back to moral outrages over minority rights, and the reversal of blame so common in them. To Allaway, this indicated a “knee-jerk reaction” by people that until now were the only ones being catered to. “This is of course ridiculous, because there will always be games that cater to them more than women and other minorities” she addsed, “but they fear what this dialogue will do to games as a whole, and are willing to silence anyone who is a part of changing that.”

According to Carroll, another leading factor are misconceptions as to what is causing changes in gaming. “Currently some of the bigger figureheads spearheading these efforts and getting the most media attention are women. So naturally people assume that its women who are changing games in what they see as a bad way”, she noted, adding that those changes are still very slow. “For every step they [gaming companies] take forward, such as the removal of booth babes – skimpy clad women used to promote products in events and conventions –  from gaming events, there is a step back,” she said.

The “War” narrative has been used before, in an interview conceed by Zoe Quinn’s ex-boyfriend Eron Gjoni (the author of the “zoepost” and arguably, the catalyst to #Gamergate) to Buzzfeed, Gjoni claimed he “quit his dayjob” as waging “internet warfare” took too much of his dedication. Nowadays he focuses mainly on coordinating #Gamergate – and says he would do it again – although in the same interview he said he regrets the harassment. According to him, the threats against his ex girlfriend are not his faullt: she should’ve done more to prevent that. Sadly, is another feature of some gamergaters: shifting the blame unto the victim, while portraying themselves as the ones being persecuted.

An online “war” over games might seem like a silly thing – and in many ways, it is – yet since its inception #Gamergate, either intentionally or by irresponsibility, has led to fear, harassment and aggression online. Whatever they think their intentions might be in theory, in practice their behaviour is little more than that of an angry mob – and should be treated as such.


Written by Pedro Leal

Image credit: gamergate365

‘Smukfest’: Did the Danes find a way to have it all in one festival?


Have the free-spirited Danes done it? To hold a festival where children run around collecting bottles with a smile during the daytime, and a Danish a rapper lights up a joint on stage without no one doing so much as raising an eyebrow – despite it being illegal in Denmark. And by night the festival is taken over by techno music, luring the crowd into mosh pit madness.

Pandeia presents to you Skanderborg Festival, or Smukefest, held in the middle of Skanderborg’s most beautiful woods; a festival where people can charge their phones, forget them overnight, and still find them laying there the morning after.


Smukfest is Denmark’s next biggest festival, run completely non-profit by 12,633 volunteers who all work for “fighting against loneliness”, as they state on their website

55 % of the guests are locals from Jylland, but despite being mainly for Danes, Pandeia took a look at this unique event that is undoubtedly the most beautiful festival in Denmark – living up to its name.

Being very well-organized with limited ticket sale, the biggest perk of Smukfest is that you don’t end up spending all your time queuing.

The scenes are arranged in the midst of trees with lights hanging in between, creating a cozy and relaxed atmosphere. ‘Hygge’ is a Danish word that translates very badly to English – the best attempt is to translate it to ‘cozy’ and Skanderborg festival is the definition of cozy.

Despite all the coziness, there are plenty of attractive and exchiting concerts to attend. A vast number of musicians play every year well known names as 50 Cent, Bastille, Skrillex, and Go Go Berlin filled the scenes of Smukfest.

Some guests don’t book their tickets just for the music, but rather for the purpose of enjoying the atmosphere and having a great time with other guests. Plenty of guests come year after year, and even whole families attend together.

banner?Politeness and comfort dominated the ambiance; I was never pushed aside by the crowd, kid you not. Only that one time I thought it would be a good idea to stand upfront for Skrillex performance, an electronic dance DJ, in the middle of a mosh pit, that I was pushed back and forth. Needless to say it was a bad idea; I am not even 160 cm tall. The sweat and jumping didn’t seem to bother the teenagers who enjoyed it to the fullest, well along with my grown up friend who dived in too.

If the mosh pit wasn’t for you,during the daytime you could listen to more relaxed music from various Nordic countries, some of Denmark’s biggest rappers and pop bands, as well as some international ones too.

Nevertheless, Smukfest was not perfect. 50 cent, the biggest name performing at the festival, was a complete disappointment for many of the guests. “He just wasn’t good” was a common reply when asked about his concerts.

He entered the big stage with a golden chain and cab, looking ready to entertain, but ended up disappointing the crowd with a dull and powerless performance.

20140806_201647It seemed for a while like the concerts would turn out alright when he sang the lyrics “I am a V.I.P.,” sprayed water over the audience, and the performance slowly picked up the pace. When he finally sang “Candy Shop”, the crowd leaped in excitement.

It did the trick and worked up the crowd for a while.

The end was a mystery to all, as 50 Cent left the stage his band kept on playing well-known songs from different bands, like “We will rock you” with Queen, and as the crowd was left to party on its own (which was not a problem to it), it was left to wonder if 50 Cent had gone to bed.

Considering a bad choice of one artist, or perhaps just a bad night for 50 Cent, was the only downside of the festival that offered this variety of music, you should not miss out on this festival if you plan to visit Denmark in 2015.

Do we recommend this for non-Danes? Yes for sure, but be prepared to listen to a lot of Danish music – don’t worry you will be glanced away by the magic of the festival, kindness of people and well, let’s face it, the amount of consumed beer; the Danes know how to drink their beer – and become very friendly when with a drink in hand.


If you have an unfulfilled craving to experience a Danish festival – that has it all – without exhausting yourself with queues or impoliteness, Smukfest is the one to go to. Families, young people, children, teenagers, too drunk and yet friendly people – it has it all. The Danes certainly managed to host a festival that has it all.

Take look here at the website for music for next year.



New Hamburg: Life of the Veddel

Veddel 4

Ever since I decided to go abroad, I have been often reminded by how little everyone knows about the world, myself included. We are bound by an obnoxious bubble of self-proclaimed self-righteousness and assumption of knowledge of worldly events; however, this bubble gets popped upon collision with communities we might know very little about.

Yesterday marked my initial contact with Veddel: a fascinating blend of people from 67 different nations, all of whom had left their homelands in pursuit of better life standards. For many immigrants, Germany has been a rather popular destination, despite the fact that the conditions of arrival and integration are not exactly ideal. Nevertheless, between racial discrimination in their home nations, along with religious segregation and prosecution for political activism, Hamburg in particular seemed a safe place to be.

Veddel: A harmonious entanglement

Veddel is a snapshot of a truly multicultural city within a city. Though it is commonly misrepresented in traditional media as being dangerous and high on crime rates, as immigrant communities often perfectly fit the illustrative material for that particular purpose, the island has taken the definition of “parallel societies” to a whole new level. Its residents, with the variety of their backgrounds, spiritual beliefs, education levels, ages and experiences, live together in a harmony most big cities with all the proper infrastructure have been unable to achieve.

Veddel 2

A live example of this polyphony is the Immanuel Church [Deutsche: Immanuelkirche], formerly an Evangelical center of Veddel’s mostly Christian society. Today, the church is a melting point of cultural dialogue, music, film, sports and other activities for the multitude of spiritual beliefs that inhabit Veddel, creating a network of diversity where parents, teachers, members of different religious communities, artists and activists had the space to develop New Hamburg, an initiative that celebrates the cultural richness and diversity of the island.

Along with the fascinating theatre shows, the music and the inspiring performances, New Hamburg Festival, held from the 3rd to the 25th of October, offered a platform for the residents of Veddel to tell their stories.

A larger portion of the population stems from Albania, Montenegro, Serbia, Bosnia, and other Southern-Eastern European countries, but were born there as part of the Romani communities [also known as Gypsy, despite my distaste for the term] in those nations. Prior to coming to Europe, I had only heard of the word “Gypsy”, yet had never associated it with any specific connotation. Coming from Egypt, the only time I’d ever heard the word was in Disney’s the Hunchback of Notre-Dame, referring to Esmeralda’s character. Whatever I came across yesterday is how I’ll always perceive the Romani community, for as long as I have a memory.

Mapping life across Europe

One of the most intriguing events that took place was a series of presentations given by a few members of the Veddel community, where each one stood in front of a large-scaled map of Europe to illustrate their life stories by placing a pin in each country they lived in, even briefly, then tying a thread, each person with his preferable colour, that connects the dots in a way that ends with them settling in Hamburg. The map ended up being a canvas of intertwined tangles of threads, each thread representing a tale.


Among the stories was a Romani man who was born and raised in Serbia. Being a journalist and a political activist, he was among the founders of the first political party that represented the Roma community in Serbia, for which he was prosecuted, chased by the police forces in former Yugoslavia in the 1970s, and forced to flee.

“I had to leave; I couldn’t risk taking my family along to face the hardships I knew were about to come.” Waving his hand across different countries in former Yugoslavia, he said, “I had no passport, and I travelled through Hungary and other countries on foot.”

Briefly narrating the story of his continuous abscond and suffering, he told his audience how he ended up in Germany with severe health complications, for which the authorities decided to give him a disability card to legalize his status in Germany.

Centuries-long discrimination

“With no mother nation to stand up for our cause, we are denied citizenship almost everywhere. Veddel has been good to us, but there is such a high unemployment rate, and we are increasingly misunderstood and maligned due to our ethnicity as a minority group.”

Originally migrating from India, to Mid-West Asia, and finally arriving in Europe around 1,000 years ago, the Roma have suffered economic, cultural and political discrimination at the hands of both communist and capitalist, and both democratic and totalitarian societies.20141019_202815

Upon doing more research on their history, some of what I stumbled upon was inhumane, illogical, and rather shocking. Not only are they culturally excluded from their prospective communities, but more-so politically. For example, in 1993, Jozsef Pacai, the mayor of the Slovak village of Medzev said, “I’m no racist, but some Gypsies you would have to shoot.”

Several far-right political groups in Eastern Europe consistently used the idea of ridding of “gypsies” as propaganda for their campaigns. In 2009, the Czech National Party ran advertisements for the European Parliament election calling for a “final solution to the Gypsy problem”. Another far-right party in Slovakia, in 2010, has used the term “Gypsy criminality” in reference to the danger they allegedly form towards the nation state.

Even in Germany, since they are not German nationals, they do not get the right to vote, which makes Veddel untouched by the hands of the authorities, and lacking in infrastructure in many ways.

“It’s a vicious cycle. Europe complains about us; they dislike that we are nomads, but what makes us nomadic is that we are never accepted into our host countries. We don’t know where to go”, a Montenegrin told me.

Celebrating diversity

Despite their rather traumatic stories, the Veddel community was rather welcoming. Some of the women grilled food in the church’s backyard, offering food at minimal prices for the festival’s guests. Some of them also joined to attend the consequent events of the evening. Children huddled around the fire for warmth, and by the evening, many people, mostly Germans and Veddel locals, gathered inside the church’s café for a welcome from the organizers of New Hamburg, ending with a warm “Our house is your house” [Deutsche: Unser Haus ist dein Haus].

Veddel 3 Veddel 1







The crowd slowly moved into the second part of the evening celebrations: a tour around a big hallway where several people told the stories of people who had immigrated to Veddel many decades ago, in German. I was lucky enough to h
ave a German-speaking friend, translating the stories word by word. Some of them would make us chuckle, others would give us goosebumps, and others would leave the ending open, bringing about some hope for a better future for the people.

A beautiful interruption of the stories tour were a short couple of performances by Rosemary Hardy, an English lady who had volunteered for the New Hamburg initiative as part of the theatre group. Dressed in a colourful Hungarian dress and seated in a chair while knitting, the spotlights would bring the audience’s attention to her strong Soprano voice, as she sang two songs, one of which was Hungarian, and the other was German, titled “Waldeinsamkeit“, which translates to “the feeling of loneliness you get while being in the woods”, reminding me of how many surprises the German language can carry.

Veddel 5What ended the night was an inspiring performance of a girl in her mid-twenties who sang in Albanian to the earthly tunes of her Eastern instrument, leaving her audience astounded after singing around 5 melodies that ranged from melancholic notes to upbeat tunes.

For our readers in Hamburg, I highly encourage you to visit Veddel on Saturday the 25th of the current month to enjoy more performances, especially a Turkish music concert. For more information on the New Hamburg initiave, please visit



Written by Shorouk El Hariry, an Egyptian journalist who studies and lives in Hamburg, Germany. She could be found on Twitter at @shoroukelhariry

How one of Iceland’s most prominent singers went from singing alone to singing worldwide in only a couple of weeks


Pandeia got a moment of Ásgeir’s Trausti busy schedule after he finished playing at Skanderborg Festival (Smukfest) in Denmark, and right before he flew off to his home in Iceland.

Despite Ásgeir Trausti’s young age of 21 and his relatively short career, he is one of Iceland’s biggest stars at the moment and is a long way into his international career. This summer he made a quick stop at Skanderborg’s lively music festival located in Denmark to play his music.

What is unusual about this young singer is that his father writes some of his lyrics and he did not really sing in public before he became famous.

His sudden and unexpected popularity came about when Ásgeir met a record producer in Iceland and for fun they decided to record a few of his songs. Ásgeir said: “One day I simply met Kiddi, our soundman, and gave him some songs I had recorded and we started playing around with the recording. And a few weeks later we sent a couple of them to the radio, and that is how the ball started rolling”.

“It just exploded in 2012 and I decided to dedicate myself to it for some time.”

Ásgeir never planned to play to more than for himself. “I never really planned to play music in front of other people or become a musician at all, I only wrote for myself. I have been playing since I was 6-year old but I never thought I would take my music further, publish it or play it in front of other people.”

Before Ásgeir knew it, he was well-known in Iceland, held an international record deal in his hand and was starting to prepare himself to leave Iceland to tour around the world. He describes his doubts and feelings on how he was not (in any way) ready for this journey:

“I had never actually sung in front of people before, and therefore I had absolutely no experience. So I jumped into the deep end with this without being ready for it at all. I knew it would be very difficult for the first few months, the first years – it still is difficult.”

Today his band has become well-known in the Nordic countries, Europe, Japan and Australia, and is making a break into the American market. “It is at the starting stage in the U.S.,” said Ásgeir modestly, despite having had two successful tours and a newly published record there.

He emphasises this is still all very new to him, “it takes time to learn and get into the whole thing and it is still all very new to me: even though we have now played more than 300 concerts I am still getting used to the whole idea.”

Ásgeir mentions that he is very self-critical on his performance on stage and he has a hard time feeling satisfied with his performance; he describes feeling nervous before entering stage every time. “I used to think that having a glass of red wine before going on stage would fix my nerves, but somehow it did not do the trick so now I result in having a cup of tea before going on stage with my buddies and having a chat with them.”

Despite Ásgeir’s stage fright his focus is still on his music and the crowds experience for every concert. It is important to stay focused he said: “it is important for you to find your place before going to stage, it is a mindset you need to get into.”

He smiled and added: “I have seen such progress since we first started: it is all going better now, I knew it would happen at some point.”

Previously their music was only written in Icelandic, but the band started translating their lyrics into English 2 years ago. “The main reason was that I was going abroad and wanted to reach to as many people as possible. It made more sense that it would be on a language that everybody understood,” said Ásgeir.

His band was not at all sure of how the feedback for translating into English would be at the start:

“There are a lot of people who like the songs in Icelandic. I was not sure myself when we started. I honestly had no idea how this worked: if it mattered if we sang in Icelandic or English at all. So we had to take a chance with this and simply try it in English”.

“But it has definitely been beneficial to do so, there are certain countries who only know our music today in English.” he adds.

Most of the Nordic countries still play his music in Icelandic, apparently making Trausti a little happy as he smiled and added “I think it is great that they play it in Icelandic.”

“It felt very weird for the first weeks to sing my songs in English, but today I’m used to it,” Ásgeir describes.

Recently Ásgeir started writing his songs in English, saying he is tired of translating. It should not concern the audience who prefer the Icelandic lyrics as he has not stopped writing in his own language.

Regarding making new music there is not a set plan to make it  at the moment said Ásgeir. “It is rather hard to write music while we are touring, the only free time we have  is spent sitting in a bus, so whenever I get home I try to have time to go to the studio and record some new music.”

About the start in Iceland, Ásgeir mentions the band had to go through a bit of transition cutting down members before touring abroad: “we had a whole brass band on stage with us along with seven band members. In Iceland it is not expensive to tour in so we could do whatever we wanted there.”

They changed the band’s structure without having any problems in only a couple of weeks before leaving, almost everybody in the band are guitar players who can play almost any other instrument, which made it easier.

Obviously the band has become very close touring together: “it is like family, it is an annoyingly tight group we have here,” said Trausti. With all his focus placed on the music he says that it only makes their music better to spend so much time together.

Despite Ásgeir’s short time in the spotlight, he has caught well-deserved attention worldwide.  Still, with his feet on the ground, modesty and determination to get even further,  it will certainly be exciting to follow up on him work in the future.

With  all the variety of music Skanderborg festival has to offer, Trausti certainly fit in  the goal of making it “Smukfestival” – the prettiest festival in Denmark.

Written by Svanlaug Árnadóttir

The Cut: a Biblical Western


The Cut: a Biblical Western: a new film by Fatih Akin, the German film director and producer.

The poster of ‘The Cut’ looks like that of an old-school Western: a lonely figure of a man is walking down a deserted street of some small town. Presenting the film, Fatih Akin, the director, said that he was inspired by the Western genre. You can see the inspiration in the film: electric guitar playing in the background, plenty of long, panoramic views of deserts and roads, with the main character walking along the horizon. The choice of the story, though, is far from traditional: a young man sets out on a long journey. He doesn’t know it yet, but he will cross half the world before he reaches his destination.

This man, Nazaret, is an Armenian, who lived in a small village in Turkey, before he was summoned to work for the army in 1914. Soon after that, his family was killed in the genocide. As the civil war started in Turkey, he wandered south, into Syria, and learned that his two daughters had survived the genocide. He starts his search for them, and it will take him several years before he finds them.

This film is part of Akin’s trilogy about human nature: Love, Death, and Devil. This is Devil ‒ the concluding part ‒ the darkest and most dramatic story, showing people at their worst. The film is strewn with references to the Bible ‒ but this time, taken into the harsh reality of a civil war. A man sacrifices himself to save his family, but tragically they get killed soon after. He wanders through the desert on his own, loses his voice, but on his first day back with humans he has to kill a woman to end her suffering, because this is the only way he can help her. He can not offer any help to the people he meets during his journey, and has to steal and fight for food. His hope to ‘resurrect’ the daughters he thought were long dead dwindles, and the ending is far from happy.

The film meticulously reconstructs the details of the story: not only clothes and food, but languages, too: most characters speak their national languages ‒ Turkish, Arabic, Spanish, and only Armenian is substituted with English. The soundtrack is slow-paced, but dramatic, with the lyrics in Armenian or Berber.

One might believe that the director has tried to sweeten the bitter story by giving it an epic dimension: the main character crosses half the world on his own, escaping death in its different forms, now a marauder, desert, or hunger ‒ and remains himself, still fairly young and very good looking. Something you might expect of Odissey or Siegfrid, but not of a real person. But it was, probably, a good idea: in the end, the film feels more thought-provoking than depressing.

Written by Daria Sukharchuk

Photo copyright: 

Beyond the sun and sand in Bali

THE SUBLIME BEACHES of Bali are not the core of this photo report, and neither are the massive parties in Katu. This piece aims to showcase  another side of Bali: its wonderful rice fields in Ubud, the Hindu temples mixed with Buddhism; the spirit that flows in the air and drives you to the healers. Its rich culture.

Arozales de Ubud 4

Temples and religion
It’s hard work to count all the temples in Bali partially because there are three different types of them.

Family temples: each Balinese family -from the richest to the poorest- build their own family temple in their house. Some of them are very small and modest with daily offerings around. Others are spectacular meaning the whole house seems to be only a temple.

Templo Familiar 1

Family temple.


Town temple: every village builds a free access temple for the inhabitants of the community. Tourists don’t usually visit these temples where Balinese people come regularly to pray and bring offerings.

Templo Aldea cercana Nusa Dua 2

Town temple.

Old temples are the most visited. Here tourists are mixed up with believers and travellers:

Templo Pura Uluwatu 1

Pura Uluwatu temple.

Templo Pura Uluwatu 6

Be aware of monkeys! They are able to steal a pair of sunglasses in seconds.




Templo Danau Bratan 4

Pura Ulu Danau Bratan temple is located on top of a mountain, next to a lake named the same. The temple seems to be floating over the clouds.

Templo Taman Ayun 4

Pura Taman Ayun temple: humanity heritage by UNESCO.

Tanah Lot temple is situated on top of a rock eroded by the waves. There is a little crypt underneath where anyone can be blessed with holy water and a point of rice on the forehead. In another crypt there is the holy snake and, at the end of this group of buildings, one of the most beautiful images of Bali: a natural bridge made of rocks over the sea where everyday hundreds of people come together to see the sunset.

Templo Tanah Lot 5

Tanah Lot temple: holy snake.

Templo Tanah Lot 1

Tanah Lot temple.

Tirta Empul temple: here there is a spring from where holy water flows and Hindu believers come to purify themselves.

Templo Tirta Empul 7

Tirta Empul temple.

Offerings are varied, with a little bit of everything inside: fruits and flowers, candies and money, even cigarettes. They can be deposited in the entrance of many different places as shops, markets, on the pavement…

Ofrendas 2



The island of the four names
The Balinese use just four names that are repeated over and over. Usually they get a middle name to distinguish each other plus the surname. The name is given according to birth order. The first man is called Wayan o Putu, the second one is Made, the third is Nyoman and the fourth Ketut; for women the same names are used with a prefix: Niwayan, Imade, Inyoman and Iketut.

Foto ilustrar nombres

Putu, 9º child in his family.


Traditional Balinese medicine and the healers
It is common to ignore what traditional medicine is about and easy to judge without having any knowledge of it. For Westerns it is hard to understand; for Balinese people is something special, very real and difficult to explain with words. In the West, where everything has to be classified, we are told that there are three types of healers. Although if you ask the Balinese about this classification  is not as simple as classifying each healer in a group out of three: “every healer has a personal way of working, of thinking, of curing”.

After the launch of the film Eat, pray and love the area of Ubud has been taken over by hundreds of ‘illuminated’ healers. Those who advertise themselves and always ask for money are under suspicion by many including Balinese people. They say “if a healer is charging money, he is doing business. A real healer was given that gift from god, in the same way it has to be given to those that need help”.

Some healers apply chiropractic or reflexology techniques, others – the real ones according to Balinese people- use techniques never seen in the West; incomparable with any known practice. The healer starts the session checking the patient to be sure that the origin of the illness is within his/her competence, otherwise they will recommend to go to the doctor. To know what type of disease they have to deal with, they introduce a finger in the ears and then into the nostrils without pressuring. If the pain is unbearable, it is the irrefutable evidence for them to ensure that the illness is a consequence of enchantments and black magic.

Once they prove the illness doesn’t have medical origins, the session of praying starts spreading coconut oil all over the patients body. However, this is not a massage to make you relax, it is a very painful experience in which the majority of people usually scream and cry of pain, and very likely the day after you will have marks on your body.

At the end of the session, the healer will give some advice to follow in order to continue with a healthy life, mentally and physically. Normally, they suggest meditation, yoga, praying and believing that there is some supernatural power –it doesn’t matter the name of the god- that we should give in to everything we are surrounded by. They want you to believe that they are the means for this universal force to cure.

Trick or true, this is how Balinese culture is.

Familia esperando a ser atendida por la curandera

Balinese family waiting for a traditional medicine session.


Balinese dance 
One of the most famous dances is ‘the Barong and Kris dance’. Barong is a mythological animal that represents the good spirit. During the dance this spirit fights against Randa, another mythological creature that represents the evil spirit. The dance means the eternal conflict between good and evil.

Danza de Barong 1

Danza de Barong 8



















Danza de Barong 2


Paradise on Earth
Bali goes beyond the sun and beautiful beaches although they are indeed breath-taking.

Playas de Bali 3

Padang padan beach 1

Padang Padang beach became very popular thanks to the film Eat, pray and love.


To sum up the beauty and magic of Bali there is this picture named as ‘the Balinese God of fertility’, due to the beauty and innocence that this pregnant girl expresses while carrying marvellous offerings on top of the head.

Diosa de la fertilidad balinesa

The Balinese God of fertility.


Words and photos by Andreyna Valera.

Translated by Ana Escaso.